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Category Archives: Narrative Science
Warning – Deep Narrative Theory Ahead… What’s “Ability” have to do with story structure? In this article I’m going to talk about how the Dramatica Theory of Narrative Structure uses the term “ability” as an element of dramatics, and how … Continue reading
Perhaps the most fundamental error made by authors, whether novice or experienced, is that all their characters, male and female, tend to reflect the gender of the author. This is hardly surprising, since recent research indicates that men and women use … Continue reading
As you likely know, I am the co-creator of the Dramatica theory of narrative, the Storymind theory of narrative psychology, and of the Mental Relativity theory of what can best be called narrative physics, which deals with the underlying mathematics … Continue reading
Every once in a while I write an article about the Dramatica theory of narrative structure that zooms right down to the subatomic level. Such articles have absolutely no practical value to writers but, being a narrative scientist, it is … Continue reading
Got a new kitten two days ago. Vet said that it needed two vaccinations – Distemper and Leukemia. The used to give them two weeks apart so they wouldn’t interfere with each other. But, they discovered they also didn’t interfere … Continue reading
What’s “Ability” have to do with story structure? In this article I’m going to talk about how the Dramatica Theory of Narrative Structure uses the term “ability” and how it applies not only to story structure and characters but to … Continue reading
Recently, an associate suggested a tie-in between cognitive modeling of cultural storytelling preferences and Dramatica that might, someday, provide guidelines for “writing the next Star Wars.” This, for me, opened the whole discussion regarding the relationship between story structure and … Continue reading
Narrative structure has, at its core, a code not unlike that of DNA. We first documented a model of this DNA of story in our 1994 book, Dramatica: A New Theory of Story, concurrent with the release of our Dramatica … Continue reading
The process of communication requires at least two parties: the originator and the recipient. In addition, for communication to take place, the originator must be aware of the information or feelings he wishes to transmit, and the recipient must be … Continue reading