I like writing themes. I remember recording this one some forty years ago. I was laying down this great melodrama villain theme I’d composed and then I got tired of playing it. In fact, I wanted to change the mood. So, rather than doing another separate recording, I just extemporized a completely contrasting melody to work against the first part. Never revisited it, but decades later I began to wonder that if the first part was the villain, who did the second part represent? Having recently seen the animated cartoon “Despicable Me” with its not so evil villain who ends up being a foster dad, I originally thought it might be the villain’s kid. But then I remembered the Simpson’s episode in which Home goes off chasing “dog with a fluffy tail”, completely ignoring the fact he’s just seen his own double for the first time! Those two animations made it pretty obvious this composition was about “The Villain and His Dog.”

An upbeat little chord progression, this piece is designed to go on forever by simply connecting the end to the beginning again. I’ve written quite a few circular songs over the years, but this was the first (and simplest) of the series. There’s something comforting about a positive spin that will go on forever, just like movies that finish up the story and then show the characters starting a new identical quest all over again, giving us the sense that the adventure is “Endless”.

This first draft composition struck me as the start of a quest, when the entire journey lies ahead and one begins with eager anticipation of adventures to come. Again, one of my innocent optimistic tunes from the 1970s when I was in my late teens. You know, I always hear full orchestration when I write these things, then just jot down the basic sketch and leave it at that. But try to hear the the timpani and the French horn and the string section. If you can, I’ll never have to bother multi-tracking it!

I was pretty proud of this song back in the 1970s. It was one of the more adult pieces I wrote during that time. But years later, I listened to it again and realized it was exactly the same chording as “While My Guitar Gently Weeps” by George Harrison. Now, I never intentionally ripped him off, and there’s no melody line so it isn’t plagiarism exactly, and I don’t know if my subconscious was mimicking his song or creating a whole new one of my own. But, ol’ George himself did the same thing with “Isn’t it a Pity” on his “All Things Must Past” album, since it has the exact same chord progression as in the long fading chorus of “Hey Jude.” All in all, what the hell….

Back in the 1970s, a lot of what I wrote was extremely naive and optimistic. These days, while I maintain the optimism, I’ve lost the naiveté, so my music is more complex, though not necessarily better. Innocence is pretty hard to maintain in a hard world, and even more difficult (though not impossible) to recover once it is lost. But this song, Mexican Morning, is just one of those simple little riffs (with no pretensions of being art) that joyfully ambles along, oblivious to any darker issues since there isn’t a cloud in the sky.

I once saw a cartoon in M.A.D. magazine where a fellow is standing on a dock watching a dollar bill with wings fly away from him as a symbol of his lost wealth. He ties a ball and chain on his leg and jumps into the sea. On the bottom, he lands next to a treasure chest bursting with gold and jewels. The title of the cartoon was “Look Before You Leap”. That’s the inspiration for this song. I’ve never truly been suicidal, but like most everyone, I’ve known severe depression at times. But, it always passes and life gets worth living again. Still, I began to wonder, what happens if you succumb to the darkness and then change your mind after it is too late? Consider this a cautionary tale.

Recorded in the early 1970s on cassette.