Write Your Novel
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Follow StoryWeaver's path of 200 interactive Story Cards from concept to completion of your novel or screenplay.
Every step of the way you'll know what you need to do and get examples of how to do it, continually evovling, expanding and improving your story.
You'll develop your story's world, who's in it, what happens to them, and what it all means.
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Category Archives: Story Structure
You can make your story a lot more focused and targeted if you know what kind of a story you are creating. A good place to start is to figure out which of the four basic types of stories yours … Continue reading
Some time ago I wrote an article explaining how plot wasn’t the order in which events appeared in a story, but the order in which they happened to the characters. The storytelling order can be all mixed up for effect. … Continue reading
Main characters don’t have to change to grow. They can grow in their resolve. It is a common misconception among authors that the main character in a story must change in order to grow. Certainly, that is one kind of … Continue reading
What is Dramatica? Dramatica is a theory of story that offers both writers and critics a clear view of what story structure is and how it works. Dramatica is also the inspiration behind the line of story development software products … Continue reading
Archetypes are the spine of any story, whether you use them in a monolithic manner or sculpt them into more complex variations. Understanding archetypes will help you to ensure your structure is human and complete. In part 1 of this … Continue reading
Writers and narrative theorists often speak of Archetypes. When they do, Jung and Campbell and the Hero’s Journey quickly come to mind. And yet, if pressed, most writers would admit they don’t really have a solid grip on what an … Continue reading
A whole flock of Story Gurus (myself included) will tell you that stories have structure. Therefore, if you learn that structure you’ll improve your stories. Ostensibly, this will lead to fame, riches, a keen sense of accomplishment, and the unparalleled … Continue reading
Most writers are not story theorists, and don’t want to be. Still, an understanding of the way stories work can help support a writer’s instincts to make sure a flawed structure won’t get in the way of the creativity. So … Continue reading
By Melanie Anne Phillips There are two story lines in every complete story, and you can either run them in parallel or you can hinge them together to form a dramatic triangle. The first story line is the overall story that … Continue reading
There are four throughlines that must be explored in every story for it to feel to readers or audience that the underlying issues have been fully explored and the message fully supported. Throughline 1: The Objective Story The Objective Story is … Continue reading