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You'll develop your story's world, who's in it, what happens to them, and what it all means.
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Search Results for: influence character
By Melanie Anne Phillips For just about any story you read, you get a sense of who it revolves around – who is it really about? Who is the character whose shoes we stand in, through whose eyes and heart … Continue reading
By Melanie Anne Phillips Characters reflect real people in a purified or idealized state. And so, we can see in them qualities and traits that are hard to see within ourselves. One of the most difficult challenges we face every … Continue reading
By Melanie Anne Phillips From a structural standpoint, characters are just cogs in the machine. They have a job to do in the story as a protagonist, antagonist or any one of the functional roles that must be filled for … Continue reading
By Melanie Anne Phillips This article is excerpted from some text I wrote in the Dramatica Story Structure Software. It describes an important difference between Main Characters who try to solve problems by doing things vs. those who are more internal … Continue reading
By Melanie Anne Phillips A story begins when the Main Character has become stuck in the highest level of justification. Nobody gets there because they are stupid or mean. They get there because their unique life experience has brought them repeated … Continue reading
A writer just asked, “Can I make my main character an Antagonist instead of the Protagonist?” My reply: The main character is the one through whose eyes the reader or audience experiences the story. It is the one around whom … Continue reading
A villain is the dramatic antithesis of a hero, and therefore has the following four attributes: He is the Antagonist He is the Influence Character He is second in prominence to the Central Character He is a Bad Guy By … Continue reading
A writer asks: “My favorite creative writing book is ‘Setting’ by Jack Bickham. Use of setting as primary with characters, plot, theme, mood, etc derived from it and interacting with it seems of particular value in science fiction. Where would … Continue reading
By Melanie Anne Phillips There are two story lines in every complete story, and you can either run them in parallel or you can hinge them together to form a dramatic triangle. The first story line is the overall story that … Continue reading
There are four throughlines that must be explored in every story for it to feel to readers or audience that the underlying issues have been fully explored and the message fully supported. Throughline 1: The Objective Story The Objective Story is … Continue reading