Every story has a core – that concept at the center that pulls all of the story elements into a cohesive whole, establishes meaning and message, and provides the story with an overall identity.
There are four fundamental kinds of cores, though each has endless variations.
1. Situation stories that are all about a fixed situation people must grapple with, such as being stuck in an overturned ocean liner, locked in a high-rise building with terrorists, being handcuffed to a murder, being the only member of a group with a particular gender or race, having a physical deformity.
2. Mind stories that are all about fixed mind sets such as exploring or overcoming prejudice, belief in something that defies all evidence to the contrary, an unreasonable fear, a determination to accomplish something even if the reason for doing it has vanished.
3. Activity stories that are all about external efforts such as a trek through the jungle to obtain a lost treasure, the attempt to build the first self-aware artificial intelligence, a race across a continent in the 1800s, the effort to find a cure for a virulent new disease.
4. Psychology stores that are all about the thinking process, such as trying to come to terms with personal loss, grappling with issues of faith, overcoming addiction, growing to become a true leader, or manipulating someone.
Which of these four kinds of cores best describes what you want your story to be about and how you want it to feel?
By picking a core, you will have a central defining vision for your story that will keep it on track during development, and your completed story will come across with a powerful unified impact on your readers or audience.
This “core” concept is at the heart of our Dramatica story structuring software.
Melanie Anne Phillips