Category Archives: Writing Tip of the Day

The Reason of Age How old your characters are couches them in a lot of preconceptions about how they’ll act, what their experience base is, and how formidable or capable they may be at the tasks that are thrust upon … Continue reading →

Nicknames are wonderful dramatic devices because they can work with the character’s apparent physical nature or personality, work against it for humiliating or comedic effect, play into the plot by telegraphing the activities in which the character will engage, create … Continue reading →

Too many beginning writers see genres as checklists of elements and progressions they must touch, like checkpoints in a race. But a genre is not a box in which to write. It is a grab bag from which to pull … Continue reading →

Be your own critic without being critical Here’s how: Write something. Do it now. Now look at it not as an author, but as a reader or audience and ask questions about it. For example, I write, “It was dawn … Continue reading →

Let your Muse run wild The easiest way to give yourself writer’s block is to bridle your Muse by trying to come up with ideas. Your Muse is always coming up with ideas – just not the ones you want. … Continue reading →

Writing Tip of the Day: Be a Story Weaver – NOT a Story Mechanic! Structure is important but not at the expense of passion. No one reads a book or goes to a movie to experience a great structure. Authors … Continue reading →

Write from your passionate self We all wear a mask to protect us from hurt in the world. It also blocks the light of our vision. As children, we quickly learn which behaviors are praised and which are punished. We … Continue reading →

Inspiration for a novel or screenplay is all around you. Every day the mind naturally takes note of odd juxtapositions, inappropriate contexts and unlikely “what ifs” that crop up in overheard conversations, two television commercials that butt up against each … Continue reading →

Beginning writers often look to other successful stories to learn how things ought to work. But so do all the other beginning writers. A book editor, agent, or script reader sees hundreds of manuscripts every year, all made up of … Continue reading →