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Our Newest Articles How to Structure Your Story's Theme How to Create Archetypal Characters Introduction to Characters What's the Big Idea? The Four Stages of Story Development Using Dramatica & StoryWeaver Together The Purpose of Stories Four Stages of Communication (Transcript) The Narrative Archetype Our Most Popular Articles From All Categories Character Arc 101 How To Create Great Characters! Be A Story Weaver - NOT a Story Mechanic! Creating Characters from Plot A Novelist's Bag of Tricks Protagonist & Antagonist Heroes & Villains Introducing Characters - First Impressions 12 Essential Questions Every Writer Should Answer Character Development Tricks! Your Plot, Step by Step The "Collective" Goal Creating Characters from Scratch What is Story Structure? A Screenwriter's Bag of Tricks Avoiding the Genre Trap How to Write Characters of the Opposite Sex How Male and Female Characters Think Conflict Can Limit Your Characters Finding Your Creative Time Blowing the Story Bubble Love Interests and the Dramatic Triangle How to Write Villains Tricking the Muse: The Creativity Two-Step Genre - Act by Act Finding Inspiration for Writing Writing from a Character's Point of View Psychoanalyze Your Story Writing from the Passionate Self Work Stories vs. Dilemma Stories Character Justification Four Essential Plot Points Elements of Structure - Art of Storytelling Fire Your Protagonist! Theme - An Emotional Argument Characters Introduction to Characters Character Arc 101 Character Development Tricks! Creating Characters from Scratch Creating Characters from Plot Conflict Can Limit Your Characters Character Justifications Characters - The Attributes of Age Characters' Personal Goals Character Relationships Baselines Antagonist vs. Obstacle Character Do-er and Be-er Characters Fire Your Protagonist Heroes and Villains How Male and Female Characters Think How to Create Archetypal Characters How to Write Heroes How to Write Villains Introducing Characters - First Impressions Keep Your Protagonist Human Love Interests and the Dramatic Triangle Main Character "Approach" - Do-er or Be-er? Main Character "Growth" - Start or Stop? Main Character "Resolve" - Change or Steadfast? Main Character "Style" - Logic or Intuition? Male vs. Female Problem Solving Men Are From Mars - Women Are From Next Tuesday Mental Sex - The Truth About Cats and Dogs On Archetypes Subjective Characters and the Objective Story The 12 Essential Questions - Main Character Resolve The Archetypal Characters - Protagonist and Antagonist The Chemistry of Characters The Core of Your Protagonist The Hero Breaks Down The Love Interest Things as Characters Tips on Writing Characters Types of Character Growth Understanding the Main Character Writing Characters of the Opposite Sex (class transcript) Writing Characters of the Opposite Sex (article) Writing from a Character's Point of View Quick Tips on Writing Characters Matching Characters' Personalities to Archetypes Character Interests (Likes & Dislikes) Constructive Criticisms A Constructive Criticism of "True Lies" Fried Rice: The Tale of "The Vampire Chronicles" Jurassic Park - Building A Better Dinosaur Natural Born Killers: A Constructive Criticism THE XX AND XY FILES Creative Writing Be a Story Weaver - NOT a Story Mechanic! Blowing the Story Bubble Elements of Structure - Art of Storytelling Finding Inspiration for Writing Finding Your "Creative Time" How to Beat Writer's Block The "Nonsense Technique" for Overcoming Writer's Block Pen, Pencil or Quill? Psychoanalyze Your Story The 12 Essential Questions – Overview The 12 Essential Questions Every Writer Should Answer The Dangers of Micromanaging Your Story The Writer's Notebook Tricking the Muse: the Creativity "Two-Step" What is the Worst Part of Writing for You Personally? Writing from the Passionate Self You Got Me! (Both of Us!) Screenwriting 101 A Novelist's Bag of Tricks Express Your Pet Peeves Through Your Characters Dramatica Software What is the Best Way for a New User to Approach Dramatica? Can You Skip Questions in Dramatica? Creativity vs. Dramatica Do Dramatica’s Specific Questions Limit Story Richness? Does Dramatica Limit Your Story? Dramatica for Structural vs. Intuitive Writers.htm Dramatica Software - Assigning Character Elements Dramatica Software - Character Purposes How to Tell if your Story’s Structure (Storyform) is Right Illegal Plot Progressions Is Dramatica Software Binary? The Creative Way to Use Dramatica Using Dramatica for Short Stories Using Dramatica's Plot Sequence Report What Determines Plot Progression Sequences? What Does Dramatica Mean by the Word Illustrate? Where to Start - Story Engine, Theme Browser, Query System? Dramatica Theory What Is Dramatica? A Talk on Dramatica About Dramatica's Learning Curve Archetypal Breakdown (Deep Dramatica Theory) Dramatica - The Lost Theory Book (Part 1) Dramatica - The Lost Theory Book (Part 2) Dramatica - The Lost Theory Book (Part 3) Dramatica - The Lost Theory Book (Part 4) Dramatica - The Lost Theory Book (Part 5) Dramatica - The Lost Theory Book (Part 6) Dramatica - The Lost Theory Book (Part 7) Dramatica - The Lost Theory Book (Part 8) Dramatica - The Lost Theory Book (Part 9) Dramatica - The Lost Theory Book (Part 10) Dramatica - The Lost Theory Book (Part 11) Dramatica - The Lost Theory Book (Part 12) Dramatica Domain Placement in Story Structure Dramatica: Where'd the Idea Come From? Dramatica’s "New Language" of Story Dramatica’s Terminology is Too Obscure! Dramatica's Plot Sequence Report (Deep Theory) Dramatica's Split Personality The "Grand Argument" Story How Scenes Relate to Dramatica's Story Elements How StoryWeaver Came to Be Is "Objective" Character the Same As "Obstacle" Character? Origins of a Story Sine, Cosine, & Dramatica The Dramatica Chart The Dramatica Chart (video version) The Dramatica Structure - Elements The Dramatica Structure - Elements & Variations The Dramatica Theory The Dramatica Theory and Software - Class 1 The Dramatica Theory and Software - Class 2 The Dramatica Theory and Software - Class 3 The Dramatica Theory and Software - Class 4 The Dramatica Theory and Software - Class 5 The Dramatica Theory and Software - Class 6 The Dramatica Theory and Software - Class 7 The Dramatica Theory and Software - Class 8 The Dramatica Theory and Software - Class 9 The Four Throughlines - Part 1 The Four Throughlines - Part 2 The Objective Throughline is a Battlefield The Quad: Dramatica’s Steering Wheel? Why Does Dramatica Keep Harping on Problem Solving? Z Patterns & the Theme Browser Z Patterns in the Dramatica Structure Sequences, Acts & Variations Genre A New Approach to Genre Avoiding the Genre Trap Genre - Revealing Your Story's Personality Genre- Act by Act Plot Creating Extra Tension with Consequences Don't Forget the Requirements Four Essential Plot Points Plot Holes Plot vs. Exposition Revealing Your Goal Subplots Success or Failure? The Collective Goal Yes, but is it a Plot? Your Plot, Step by Step Propaganda Introduction to Propaganda The Basics of Propaganda Propaganda and Symbols Four Levels of Propaganda Shock as Propaganda Awareness as Propaganda Conditioning as Propaganda Misdirection as Propaganda A Word of Warning About Propaganda Reception Author and Audience - A Collaboration Who Are You Writing For? Writing for Oneself Writing for Groups Communication vs. Storytelling The Grand Argument Story The Free Form Author Symbolizing Concepts in Dramatica Communicating Through Symbols Author's Intent Both Sides of the Thematic Argument A Tale is a Statement A Story is an Argument Four Stages of Communication Four Stages of Communication (Transcript) Audience "Reach" StoryWeaving and Structure Medium and Format The Purpose of Stories Story Justifications The Narrative Archetype The Audience and the Main Character Short Series on Propaganda Introduction to Propaganda The Basics of Propaganda Propaganda and Symbols Four Levels of Propaganda Shock as Propaganda Awareness as Propaganda Conditioning as Propaganda Misdirection as Propaganda A Word of Warning About Propaganda Story Development The Four Stages of Story Development Throughlines - and How to Use Them! What's in Acts One, Two and Three? Work Stories vs. Dilemma Stories Writing Remakes All About Using Narrators in Your Story The Story Mind Inside the Story Mind Introducing the Story Mind Introducing the Story Mind (video version) The Story Mind What's in Your Story's Mind? Why a "Story Mind" ? Your Story as a Person Story Points The Objective Story Issue Overall Story Concern Overall Story Issue Overall Story Problem Overall Story Throughline Story "Driver" - Action or Decision? Story "Judgment" - Good or Bad? Story "Limit" - Time Lock or Option Lock? Story "Outcome" - Success or Failure? Story Structure What is Story Structure? A Story is an Argument A Story is an Argument (video version) A Story's Limit A Tale is a Statement A Tale is a Statement (video version) Bad Story Structure is No Joke Slicing and Dicing Stories Story Perspective Story Structure for Passionate Writers Story Structure vs. Storytelling Structure vs. Passion StoryWeaver Software Using Dramatica & StoryWeaver Together Theme How to Structure Your Story's Theme Both Sides of the Thematic Argument Coming Apart at the Theme Premise Leads to Lack of Conflict Theme - An Emotional Argument Terminology The Preconscious Write Your Novel Step By Step Introduction Step 1  What's the Big Idea? Zen of Story Structure Prediction Fate

 

  
 Our Most Popular Products

	StoryWeaver Story Development Software - $29.95 Our Bestseller!  By far, our most popular product, outselling all of our other products combined!  StoryWeaver takes you step by step through the entire process--from initial inspiration to completed novel or screenplay.  At just $29.95, StoryWeaver is affordable for any writer.  (Details)
	Dramatica Pro - $179.95 Unlike any other story development product, Dramatica Pro uses a patented Story Engine to interactively help you build a structure, find and fix dramatic holes and inconsistencies.  (Details)
	Dramatica Writer's DreamKit - $49.95 Little brother to Dramatica Pro, Writer's DreamKit is built around the same patented Story Engine - it just tracks fewer story points.  So, you develop the same solid story structure, just with fewer details.  Perfect for beginning writers or those new to Dramatica. (Details)
	12 Hour Writing Course on DVD - $19.95 This intense program features 12 hours of video documenting the entire college-level course in creative writing given by Melanie Anne Phillips, creator of StoryWeaver and co-creator of Dramatica.  Just $19.95  (Details)

$179.95                       $29.95          

*Try either or both for 90 days.  Not working for you?  Return for a full refund of your purchase price!

About Dramatica and StoryWeaver

Hi, I'm Melanie Anne Phillips, creator of StoryWeaver, co-creator of Dramatica and owner of Storymind.com.  If you have a moment, I'd like to tell you about  these two story development tools - what each is designed to do, how each works alone on a different part of story development and how they can be used together to cover the entire process from concept to completion of your novel or screenplay.

What They Do

Dramatica is a tool to help you build a perfect story structure.  StoryWeaver is a tool to help you build your story's world.

Dramatica focuses on the underlying logic of your story, making sure there are no holes or inconsistencies. 

StoryWeaver focuses on the creative process, boosting your inspiration and guiding it to add depth, detail and passion  to your story.

How They Do It

Dramatica has the world's only patented interactive Story Engine™ which cross-references your answers to questions about your dramatic intent, then finds any weaknesses in your structure and even suggests the best ways to strengthen them.

StoryWeaver uses a revolutionary new creative format as you follow more than 200 Story Cards™ step by step through the story development process.  You'll design the people who'll inhabit your story's world, what happens to them, and what it all means.

How They Work Alone

By itself Dramatic appeals to structural writers who like to work out all the details of their stories logically before they write a word.

By itself, StoryWeaver appeals to intuitive writers who like to follow their Muse and develop their stories as they go.

How They Work Together

But, the finished work of a structural writer can often lack passion, which is where StoryWeaver can help.  And the finished work of an intuitive writer can often lack direction, which is where Dramatica can help.

So, while each kind of writer will find one program or the other the most initially appealing, both kinds of writers can benefit from both programs.

Try Either Program Risk Free!

We have a 90 Day Return Policy here at Storymind.  Try either or both of these products and if you aren't completely satisfied we'll cheerfully refund your purchase price.

 

StoryWeaver Demo	Dramatica Demo
$29.95Format: Windows / Mac CD-ROM     $29.95Format: Windows Download   $29.95Format: Mac OSX Download	Download ~ $179.95  Boxed version ~ $199.95   Student or Teacher? Get Dramatica Pro for just $99.95!

 

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