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Our Bestseller!

StoryWeaver

Write Your Novel
or Screenplay
Step by Step
 

  
$29.95
 

 


12 Hour
Writing Course

  
Learn Story Structure
 
PE03328A.gif (2743 bytes)
  
$19.95

 


Writer's DreamKit

Essential Structure
 
Dramatica Writers DreamKit 4.0
  
$49.95
 

 


Dramatica
 
Perfect Structure
 
Dramatica Pro 4.0<br>Plus FREE Bonus!
  
$179.95
 


 

Top Articles
 
Be a Storyweaver
NOT a Story Mechanic!
 
How to Create
Great Characters!


A Novelist's
Bag of Tricks

A Screenwriter's
Bag of Tricks

Character Arc 101

Heroes and Villains

Avoiding the
Genre Trap

Creating Characters from Plot

Browse All Articles
 

 

Top Classes
 
Progressive Plot Points
 
Audience "Reach"

A Story is an Argument

Dramatica Theory

The Story Mind

Time Locks and
Option Locks

The Four Throughlines Part One

The Four Throughlines Part Two

Browse All Classes
 

 

Top Downloads

StoryWeaver Demo
 
Dramatica Demo

Movie Magic Demo

Power Structure Demo

Dramatica
Theory Book

Dramatica
Comic Book

Dramatica
Structure Chart

Browse All Downloads
 

Subscribe to Storymind Writing Tips Newsletter

 

A Writer Asks...

Should one just forge ahead even though he/she might not understand or agree with the choices made by Dramatica?

Melanie Replies...

One should just forge ahead when he/she does not understand, but not when he/she disagrees. Because using Dramatica for the first few times is a major learning process, chugging along without complete understanding keeps the learning process from bogging down. But if one disagrees with a choice from a perspective of understanding, then clearly the Storyform being created is not reflective of the story the author wants to tell.

This can occur because of two reasons: one, earlier choices which were made arbitrarily have now limited the remaining choices in such a way that something truly important is ruled out dramatically. Two, the author is not being consistent in his/her view of the story and is trying to cram in something that doesn't fit with what is already chosen.

In the first scenario, simply start with different questions - the ones that are most important to YOU. In the second, make a choice as to which of two incompatible concepts is most important to you. In the end, your story will be more consistent and your message therefore more coherent.

 
 
 

Writing Tips

 
Articles
Classes
Downloads
 

Top Articles
 
Be a Storyweaver
NOT a Story Mechanic!
 
How to Create
Great Characters!


A Novelist's
Bag of Tricks

A Screenwriter's
Bag of Tricks

Character Arc 101

Heroes and Villains

Avoiding the
Genre Trap

Creating Characters from Plot

Browse All Articles
 

 

Top Classes
 
Progressive Plot Points
 
Audience "Reach"

A Story is an Argument

Dramatica Theory

The Story Mind

Time Locks and
Option Locks

The Four Throughlines Part One

The Four Throughlines Part Two

Browse All Classes
 

 

Top Downloads

StoryWeaver Demo
 
Dramatica Demo

Movie Magic Demo

Power Structure Demo

Dramatica
Theory Book

Dramatica
Comic Book

Dramatica
Structure Chart

Browse All Downloads
 

 


Our Bestseller!

StoryWeaver

Write Your Novel
or Screenplay
Step by Step
 

  
$29.95
 

 


12 Hour
Writing Course

  
Learn Story Structure
 
PE03328A.gif (2743 bytes)
  
$19.95

 


Writer's DreamKit

Essential Structure
 
Dramatica Writers DreamKit 4.0
  
$49.95
 

 


Dramatica
 
Perfect Structure
 
Dramatica Pro 4.0<br>Plus FREE Bonus!
  
$179.95
 


 
Subscribe to Storymind Writing Tips Newsletter

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Copyright Melanie Anne Phillips - Owner, Storymind.com, Creator Storyweaver, Co-creator Dramatica