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Dramatica Weekend Workshop Syllabus

3 STORYFORMING

Storyforming:

 

Developing a story’s underlying skeleton of structure and dynamics.

 

The Eight Essential Questions

Main Character Dynamics

Main Character Resolve: Change or Steadfast

Will the Main Character ultimately hold onto his original motivation or exchange it for a new motivation*

* Video Clips: Examples of Change Main Characters: Scrooge in A Christmas Carol, Judah Rosenthal in Crimes and Misdemeanors, Luke in Star Wars.

* Video Clips: Examples of Steadfast Main Characters: Dr. Richard Kimble in The Fugitive, James Bond in Goldfinger (Pussy Galore is the Obstacle Character).

Main Character Direction: Stop or Start

Will the direction of the Main Character’s growth be toward something starting or toward something stopping*

* Video Clip: Example of Stop Main Character: Dr. Richard Kimble in The Fugitive.

* Video Clip: Example of Start Main Character: Scrooge in A Christmas Carol.

Main Character Approach: Do-er or Be-er

How does the Main Character prefer to solve his problems, through external work or through internal work*

* Video Clip: Example of Do-er Main Character: Harry in Dirty Harry.

* Video Clip: Example of Be-er Main Character: William Munny in Unforgiven.

Main Character Mental Sex: Male or Female

Does the Main Character fundamentally tend to see things linearly or holistically*

* Video Clips: Example of Male and Female Mental Sex swap: Agents Mulder and Scully in The X Files.

* Video Clips: Example of Female Mental Sex Main Character: Jack Ryan in The Hunt for Red October.

 

Plot Dynamics

 

Story Work: Action or Decision

Which takes precedence over the other in driving the plot, do Actions drive decisions or do Decisions drive actions*

* Video Clips: Example of Action driven stories: Jaws, Star Wars.

* Video Clip: Example of Decision driven stories: The Godfather.

driven stories: The Godfather.

 

Story Limit: Timelock or Optionlock

What brings your story to a climax, running out of time or running out of options*

* Video Clips: Example of Timelock stories: 48 Hrs., High Noon.

* Video Clip: Example of Optionlock stories: The Verdict.

stories: The Verdict.

 

Outcome: Success or Failure

Is the Story Goal reached or not*

 

 

Success or Failure

Is the Story Goal reached or not*

 

Judgment: Good or Bad

Does the Main Character work out his angst or not*

 

 

Outcome: Success

Outcome: Failure

Judgment: Good

Triumph

Personal Triumph

Judgment: Bad

Personal Tragedy

Tragedy

 

* Video Clip: Example of Failure/Bad stories: Hamlet.

* Video Clips: Example of Success/Bad stories: Remains of the Day, The Silence of the Lambs.

* Video Clip: Example of Failure/Good stories: Rain Man.

* Video Clip: Example of Success/Good stories: Star Wars.

Back to the Dramatica Weekend Workshop
Table of Contents

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Resources


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Characters

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Writer's Block

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Be a Storyweaver
NOT a Story Mechanic!


How to Create
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A Novelist's
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A Screenwriter's
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Character Arc 101

Heroes and Villains

Avoiding the
Genre Trap


Creating Characters
from Plot

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Progressive Plot Points

Audience Reach

A Story is an Argument

Dramatica Theory

The Story Mind

Time Locks and
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Four Throughlines
Part One


Four Throughlines
Part Two

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