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StoryWeaver

$29.95

A step by step approach to story development, from concept to completed story for your novel or screenplay. More than 200 interactive Story Cards guide you through the entire process.

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Dramatica

$149.95

Dramatica Pro 4.0<br>Plus FREE Bonus!

The most powerful story structuring software available, Dramatica is driven by a patented "Story Engine" that cross-references your dramatic choices to ensure a perfect structure.

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Movie Magic Screenwriter

$149.95

Movie Magic Screenwriter<br>Plus FREE Bonus!

The most advanced screenwriting software available, Movie Magic is deemed a "preferred file format" by the Writer's Guild. An industry standard, MMS is used by professionals and studios around the world.

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Throughline Index Cards

$9.95

Interactive index cards - Name them, add notes, titles, colors, click and drag to re-arrange, adjust font, save, export and print. An essential tool for every writer.

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Writing from the Passionate Self

by Melanie Anne Phillips
creator StoryWeaver, co-creator Dramatica

Who are you? Really. Do you even know? Or do you just think you know?

At the center of our beings, at the heart of our souls, can be found the truth of our identity: our compassion, our anger, the breeding ground of the very stuff that makes us love and hate.

Yet, though a lifetime of compromise in the attempt to garner approval and avoid rejection, most of us have hidden the true nature of ourselves so far behind the shield of a pseudo persona that we are no longer privy to the essence of our own selves.

Unable to tap directly into the firestorm of our Id, we live on second hand passions and pass them off in what we write as the gritty truth of personal reality. A writer can survive a career without ever becoming aware of his or her true essence.

What might you write if you became aware of your Passionate Self, and could tap into the primal force of your psyche?

The issue then becomes the effort to mount an inner expedition to the darkest reaches of your mind. It is dangerous territory. You may very well lose your sense of self in the process, discover you are a completely different person than you thought, and this knowledge may ultimately cost you your relationships, family, friends, job, and even your own peace of mind.

You don't need to tap this cauldron of angst and elation in order to write interesting stories that captivate others. But as a writer, wouldn't you like to be able to access it?

Let's examine how and why we hide ourselves and then outline a method for recovering our first nature from the labyrinth of our second.

It all goes back to your childhood. You came from a loving, caring family, or from an antagonist family where you were always afraid of punishment, or were just ignored. Sure, there are many variations, but they all lead to the same syndrome.

If we are raised in a loving household, we learn compassion and empathy, and come to want to please others, even if it is at our own expense. Usually, we are accepted as ourselves in such a household, but when we arrive at pre-school or kindergarten, suddenly we are confronted by those who make fun of us because of inherent qualities that are expressions of our true selves. We quickly learn that to avoid displeasing others and to get the same kindness we have at home, we must hide certain traits and pretend to possess others. In short order, we establish a pseudo personality that no longer reflects ourselves, but reflects as nearly as possible the mean average of what we feel others would prefer us to be.

If we are raised in an angry recriminating household, we learn to hide any trait that could bring punishment or ridicule, and also create a mask we can wear to avoid pain and enhance pleasure. If we are just ignored as children, we invent an ersatz persona to attract attention, and/or as an attempt to make ourselves noteworthy.

It is almost an inevitable human endeavor.

As we grow, the mask must become more complex. We add to it whenever a new situation arises. We look to see how others act so we will know what to do in similar situations.

Slowly, we come to realize that it hurts not to express our true selves. And then we do one of two things: We break out of the mask and let it all hang out in a teenage rebellion, or we learn to stop looking inside at the real us, so that we don't suffer the pain of suppression.

Even those who rebel, may later compromise their inner integrity to advance in a career, impress peers, or justify a lack of success to themselves. Very few of us reach full adulthood still knowing who we really are.

In most cases, we hide our true natures away from ourselves for so long that we forget how to find ourselves - we forget who we were, and have no idea who we have become down there in the darkness.

Our true selves are like ROM chips on a computer. They are preprogrammed with the essential elements of our personalities, and they are designed to load specific portions of that programming into our minds at various junctures, such as when we learn to walk, the onset of puberty, the arrival at childbearing age.

Our minds are like RAM in a computer. Into our minds we load our experiences. They sit on top of the ROM personality that has been loaded. In a sense, experiences are the data that is crunched by the personality program from our ROM.

But when you create a pseudo persona, you fill up RAM with another program. You create protected memory where nothing else can be loaded. And so, as you grow, the ROM personality tries to load, but sees that there isn't enough space, and aborts the operation to try again at a later time.

As our minds expand with growth, there would be enough room for the ROM, but we also expand our personas so that there is never enough room. So our ROM personalities - our true personalities - can never load. And we become stunted in our emotions; never advancing past the development of the year we first invented our mask. And our true selves, hidden deeply in the ROM, remain only a potential, not an actualized self.

We meet a mate, we get married, we have children, we advance in our careers, and all with people responding to our personas, not to the true selves, which have never been realized, even to ourselves.

So the mate we attract is one who loves the false us. The children we raise associate love and comfort with a fake person who is not us. And they support that image with their holiday gifts, secret glances, and tender moments.

It becomes a web of lies from which we dare not attempt to escape lest we lose the love and respect of others when we reveal our actual essence and expose the person they thought they knew to be no more than a sham.

But you are a writer. And as a writer, you peddle emotions. And if you are a worthwhile writer, you want your wares to be honest and true. Yet how can they be, if you aren't true to yourself?

If you are game then, how can you discover that inner person? Simply put, you have to pass through pain. You will need to come to feel the lack of all of your ROM programming. You will need to see your everyday self as a lie. You will explore the pain until you can stand it no more. And when you are ready, you will take a leap of faith and dump your RAM persona by unprotecting its files - files you have spent a lifetime building. When you do, the ROM will notice. It will rush in and overwrite your false self with all the past due sections of your self that should have been loaded along the way. And in one electric moment you will feel your old self vanish as if you had been exorcised, then feel perhaps a second or two of emptiness, followed by the force of your embryonic actual self-rushing in to fill the void.

You will then realize that the old files are gone. You cannot recover them, no matter how much you may want to. You make the leap of faith and there is no going back - ever. You cannot even rebuild them. You would have to start all over from scratch, and there probably isn't enough lifetime left to do that.

But the consequences! You are now a different being, a more vibrant being, a creature of foundational power that we all have the potential to experience. So will your loved ones, and those you depend on find you acceptable and embrace the "New You," or will they recoil, feel betrayed, abandoned, and perhaps mourn the loss of the person they thought they knew through all the seven stages of grief?

No one can predict the response of others, but positive or negative there will be a response from everyone you encounter once you have crossed to the other side?

If you are willing to take this risk, how to you get to that magic moment when you can shift over to a new reality? Through your writing: you need to keep a personal journal. You need to express your deepest thoughts and feelings in it daily.

My personal journal has sometimes resulted in 17 typewritten pages in a single day. More often, it amounts to a page or two. There have been years when I kept no journal at all. But I have always found that when I do keep a journal, angst is discovered become one with, and evaporated - eventually.

Usually, this major sea-change occurs in a time of extreme mental pressure - loss of a business or a loved one, or some impending change of lifestyle, situation, or relationship that rocks the very foundations of your soul.

These are the times to keep a journal without fail. The words you write will help you work it through, keep you sane, and in time reveal the actual issues that drive you.

Still, you don't have to take that path. You can content yourself with the comfortable life you have fashioned around your pseudo self, and continue to write intriguing stories populated by compelling characters engaged in riveting action. You may find that sufficient. You may, even after all of this, believe that is all there is, "as good as it gets." But what if there is something powerful within you - something basic and honest and true. Are you prepared to go to your death bed never knowing who you really are?

I leave you with a poem I wrote some years ago that touches on some of these issues:

Lulladie

by Melanie Anne Phillips

My emotions are dead
and lack any resistance
to the onslaught of logic's
relentless persistence.

I'm malleable, moveable,
flexible, still.
I succumb with aplomb,
as I alter my will

to conform to the pressures
that weigh on my soul
without motive, or method,
opinion, or goal.

They reach for the stars,
as they stand on our hearts,
and they sell us off piecemeal,
parcels and parts.

They slice us to mincemeat
and padlock the door,
while our blood runs quite freely
through holes in the floor.

But nothing is wasted,
tho' everything's lost.
So our blood is recycled
to offset the cost.

We huddle in darkness
yet shy from the fire
to howl at the moon
with the rest of the choir.

And when the glow wanes,
we stoke it with dreams
in hopes that the crackle
will drown out our screams.

You sleep in your bed
and you doze in your chair.
Your cushions are comfy
and so is your air.

But your heartache grows heavy,
as well as your head,
'til you nod away, nod away,
nod away, dead.

  


$149.95                       $29.95          

*Try either or both for 90 days.  Not working for you?  Return for a full refund of your purchase price!

About Dramatica and StoryWeaver

What They Do

Dramatica is a tool to help you build a perfect story structure.  StoryWeaver is a tool to help you build your story's world.

Dramatica focuses on the underlying logic of your story, making sure there are no holes or inconsistencies. 

StoryWeaver focuses on the creative process, boosting your inspiration and guiding it to add depth, detail and passion  to your story.

How They Do It

Dramatica has the world's only patented interactive Story Engine� which cross-references your answers to questions about your dramatic intent, then finds any weaknesses in your structure and even suggests the best ways to strengthen them.

StoryWeaver uses a revolutionary new creative format as you follow more than 200 Story Cards� step by step through the story development process.  You'll design the people who'll inhabit your story's world, what happens to them, and what it all means.

How They Work Alone

By itself Dramatica appeals to structural writers who like to work out all the details of their stories logically before they write a word.

By itself, StoryWeaver appeals to intuitive writers who like to follow their Muse and develop their stories as they go.

How They Work Together

But, the finished work of a structural writer can often lack passion, which is where StoryWeaver can help.  And the finished work of an intuitive writer can often lack direction, which is where Dramatica can help.

So, while each kind of writer will find one program or the other the most initially appealing, both kinds of writers can benefit from both programs.

Try Either Program Risk Free!

We have a 90 Day Return Policy here at Storymind.  Try either or both of these products and if you aren't completely satisfied we'll cheerfully refund your purchase price.

 
Dramatica Details & Demo 

StoryWeaver Details & Demo 

 

 


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