{"id":663,"date":"2014-06-09T07:16:44","date_gmt":"2014-06-09T14:16:44","guid":{"rendered":"http:\/\/storymind.com\/blog\/?p=663"},"modified":"2014-06-09T07:16:44","modified_gmt":"2014-06-09T14:16:44","slug":"our-most-popular-articles-on-writing","status":"publish","type":"post","link":"https:\/\/storymind.com\/blog\/our-most-popular-articles-on-writing\/","title":{"rendered":"Our Most Popular Articles on Writing"},"content":{"rendered":"

Here’s an updated list of our most popular articles on creative writing, story development, story structure and narrative science:<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title<\/th>\n<\/th>\nViews<\/th>\n<\/tr>\n
Home page \/ Archives<\/a><\/td>\n\"More<\/a><\/td>\n2,146<\/td>\n<\/tr>\n
The False Narrative<\/a><\/td>\n\"More<\/a><\/td>\n957<\/td>\n<\/tr>\n
Welcome to the Storymind Writer\u2019s Library<\/a><\/td>\n\"More<\/a><\/td>\n933<\/td>\n<\/tr>\n
Write Your Novel Step by Step (Step 1)<\/a><\/td>\n\"More<\/a><\/td>\n874<\/td>\n<\/tr>\n
Write Your Novel Step by Step (Step 4)<\/a><\/td>\n\"More<\/a><\/td>\n500<\/td>\n<\/tr>\n
Write Your Novel Step by Step (Step 2)<\/a><\/td>\n\"More<\/a><\/td>\n472<\/td>\n<\/tr>\n
Psychology, Personality, Persona & Perception \u2013 The 4 P\u2019s Revisited<\/a><\/td>\n\"More<\/a><\/td>\n467<\/td>\n<\/tr>\n
Write Your Novel Step by Step (Step 3)<\/a><\/td>\n\"More<\/a><\/td>\n446<\/td>\n<\/tr>\n
Write Your Novel Step by Step (Step 5)<\/a><\/td>\n\"More<\/a><\/td>\n415<\/td>\n<\/tr>\n
Writing Stories About Hopes and Dreams<\/a><\/td>\n\"More<\/a><\/td>\n407<\/td>\n<\/tr>\n
Dramatica Tip 1 \u2013 A Better Place to Start<\/a><\/td>\n\"More<\/a><\/td>\n296<\/td>\n<\/tr>\n
The Main Character Element of the Hero Stereotype<\/a><\/td>\n\"More<\/a><\/td>\n239<\/td>\n<\/tr>\n
Blog<\/a><\/td>\n\"More<\/a><\/td>\n214<\/td>\n<\/tr>\n
Write Your Novel Step by Step (Step 6)<\/a><\/td>\n\"More<\/a><\/td>\n189<\/td>\n<\/tr>\n
What Is Dramatica?<\/a><\/td>\n\"More<\/a><\/td>\n143<\/td>\n<\/tr>\n
Creating Characters: \u201cMy Hero!\u201d<\/a><\/td>\n\"More<\/a><\/td>\n135<\/td>\n<\/tr>\n
Be a Story Weaver (Part 2)<\/a><\/td>\n\"More<\/a><\/td>\n133<\/td>\n<\/tr>\n
Questions about Dramatica Story Expert<\/a><\/td>\n\"More<\/a><\/td>\n119<\/td>\n<\/tr>\n
Be a Story Weaver \u2013 NOT a Story Mechanic!<\/a><\/td>\n\"More<\/a><\/td>\n113<\/td>\n<\/tr>\n
50 Sure-Fire Storytelling Tricks!<\/a><\/td>\n\"More<\/a><\/td>\n108<\/td>\n<\/tr>\n
\u201cAbility\u201d and Story Structure<\/a><\/td>\n\"More<\/a><\/td>\n102<\/td>\n<\/tr>\n
Narrative Dynamics (Part 2)<\/a><\/td>\n\"More<\/a><\/td>\n93<\/td>\n<\/tr>\n
Does your story suffer from \u201cMultiple Personality Disorder?\u201d<\/a><\/td>\n\"More<\/a><\/td>\n93<\/td>\n<\/tr>\n
Discovering Your Thematic Topic<\/a><\/td>\n\"More<\/a><\/td>\n90<\/td>\n<\/tr>\n
Narrative Dynamics (Part 1)<\/a><\/td>\n\"More<\/a><\/td>\n86<\/td>\n<\/tr>\n
Dramatica Trivia 3: The Contagonist Archetype<\/a><\/td>\n\"More<\/a><\/td>\n86<\/td>\n<\/tr>\n
Narrative Dynamics (Part 3)<\/a><\/td>\n\"More<\/a><\/td>\n62<\/td>\n<\/tr>\n
Dramatica Pro or Dramatica Story Expert $99.95<\/a><\/td>\n\"More<\/a><\/td>\n62<\/td>\n<\/tr>\n
Narrative Dynamics (Part 4)<\/a><\/td>\n\"More<\/a><\/td>\n60<\/td>\n<\/tr>\n
\u201cHero\u201d is a Four Letter Word (Part 3)<\/a><\/td>\n\"More<\/a><\/td>\n58<\/td>\n<\/tr>\n
The 8 Archetypal Characters<\/a><\/td>\n\"More<\/a><\/td>\n56<\/td>\n<\/tr>\n
StoryWeaver Tip 1<\/a><\/td>\n\"More<\/a><\/td>\n55<\/td>\n<\/tr>\n
\u201cHero\u201d is a Four-Letter Word (Part 2)<\/a><\/td>\n\"More<\/a><\/td>\n54<\/td>\n<\/tr>\n
Character Justification<\/a><\/td>\n\"More<\/a><\/td>\n53<\/td>\n<\/tr>\n
#21 (loading title)<\/a><\/span><\/td>\n\"More<\/a><\/td>\n52<\/td>\n<\/tr>\n
Identifying Your Main Character<\/a><\/td>\n\"More<\/a><\/td>\n52<\/td>\n<\/tr>\n
50 Sure-Fire Storytelling Tricks (Trick 2)<\/a><\/td>\n\"More<\/a><\/td>\n50<\/td>\n<\/tr>\n
Be a Story Weaver (Part 3)<\/a><\/td>\n\"More<\/a><\/td>\n49<\/td>\n<\/tr>\n
The Authorless Narrative<\/a><\/td>\n\"More<\/a><\/td>\n47<\/td>\n<\/tr>\n
\u201cThings\u201d as Characters<\/a><\/td>\n\"More<\/a><\/td>\n44<\/td>\n<\/tr>\n
Your Thematic Message<\/a><\/td>\n\"More<\/a><\/td>\n44<\/td>\n<\/tr>\n
Developing Your Theme<\/a><\/td>\n\"More<\/a><\/td>\n43<\/td>\n<\/tr>\n
50 Sure-Fire Storytelling Tricks (Trick 1)<\/a><\/td>\n\"More<\/a><\/td>\n39<\/td>\n<\/tr>\n
Notes on Timelock and Optionlock<\/a><\/td>\n\"More<\/a><\/td>\n39<\/td>\n<\/tr>\n
Designing Your Plot \u2013 Multi Appreciation Moments<\/a><\/td>\n\"More<\/a><\/td>\n38<\/td>\n<\/tr>\n
Character Development Tricks!<\/a><\/td>\n\"More<\/a><\/td>\n36<\/td>\n<\/tr>\n
Be a Story Weaver (Part 4)<\/a><\/td>\n\"More<\/a><\/td>\n36<\/td>\n<\/tr>\n
Creating Characters from Plot<\/a><\/td>\n\"More<\/a><\/td>\n35<\/td>\n<\/tr>\n
Writing Characters of the Opposite Sex<\/a><\/td>\n\"More<\/a><\/td>\n34<\/td>\n<\/tr>\n
Each Archetype is an Equation<\/a><\/td>\n\"More<\/a><\/td>\n33<\/td>\n<\/tr>\n
Throughline Interactive Index Cards \u2013 Tip 1<\/a><\/td>\n\"More<\/a><\/td>\n32<\/td>\n<\/tr>\n
Flight Recorder of the Subconscious<\/a><\/td>\n\"More<\/a><\/td>\n31<\/td>\n<\/tr>\n
The Story Mind (Part 4) \u2013 The Dramatica Chart<\/a><\/td>\n\"More<\/a><\/td>\n30<\/td>\n<\/tr>\n
Creating Characters: The Villain<\/a><\/td>\n\"More<\/a><\/td>\n30<\/td>\n<\/tr>\n
Psychology, Personality, Persona and Perception<\/a><\/td>\n\"More<\/a><\/td>\n30<\/td>\n<\/tr>\n
\u201cHero\u201d is a Four Letter Word (Free eBook)<\/a><\/td>\n\"More<\/a><\/td>\n29<\/td>\n<\/tr>\n
The Seven Stages of Film Production<\/a><\/td>\n\"More<\/a><\/td>\n28<\/td>\n<\/tr>\n
Story Structure for Passionate Writers<\/a><\/td>\n\"More<\/a><\/td>\n27<\/td>\n<\/tr>\n
50 Sure-Fire Storytelling Tricks! (Trick 4)<\/a><\/td>\n\"More<\/a><\/td>\n26<\/td>\n<\/tr>\n
The Villain Breaks Out!<\/a><\/td>\n\"More<\/a><\/td>\n26<\/td>\n<\/tr>\n
Developing Your Story\u2019s Goal<\/a><\/td>\n\"More<\/a><\/td>\n24<\/td>\n<\/tr>\n
Write Your Novel Step by Step (21) \u2013 Auditioning Your Cast<\/a><\/td>\n\"More<\/a><\/td>\n23<\/td>\n<\/tr>\n
50 Sure-Fire Storytelling Tricks! (Trick 5)<\/a><\/td>\n\"More<\/a><\/td>\n23<\/td>\n<\/tr>\n
Dramatica Trivia 1<\/a><\/td>\n\"More<\/a><\/td>\n23<\/td>\n<\/tr>\n
Quick Tip: The Big Picture<\/a><\/td>\n\"More<\/a><\/td>\n23<\/td>\n<\/tr>\n
Write Your Novel Step By Step \u2013 Now in Paperback and for Kindle!<\/a><\/td>\n\"More<\/a><\/td>\n22<\/td>\n<\/tr>\n
Narrative Dynamics 7 \u2013 Dynamic Quads<\/a><\/td>\n\"More<\/a><\/td>\n22<\/td>\n<\/tr>\n
Storytelling Trick 1 \u2013 Building Size (Changing Scope)<\/a><\/td>\n\"More<\/a><\/td>\n22<\/td>\n<\/tr>\n
Tricking the Muse: The Creativity \u201cTwo-Step\u201d<\/a><\/td>\n\"More<\/a><\/td>\n22<\/td>\n<\/tr>\n
StoryWeaver Fix \u2013 Why Files Don\u2019t Seem to Save<\/a><\/td>\n\"More<\/a><\/td>\n22<\/td>\n<\/tr>\n
The Story Mind (Part 13) \u2013 Story Perspective<\/a><\/td>\n\"More<\/a><\/td>\n22<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 4) \u2013 The Dramatica Chart<\/a><\/td>\n\"More<\/a><\/td>\n21<\/td>\n<\/tr>\n
Writing Tips Newsletter #122<\/a><\/td>\n\"More<\/a><\/td>\n21<\/td>\n<\/tr>\n
Storyweaving Tip #1 \u2013 Jot it Down!<\/a><\/td>\n\"More<\/a><\/td>\n21<\/td>\n<\/tr>\n
Narrative Structure<\/a><\/td>\n\"More<\/a><\/td>\n20<\/td>\n<\/tr>\n
Characters \u2013 The Attributes of Age<\/a><\/td>\n\"More<\/a><\/td>\n20<\/td>\n<\/tr>\n
Dramatica Structure \u201cSuper\u201d Classes<\/a><\/td>\n\"More<\/a><\/td>\n20<\/td>\n<\/tr>\n
Writing from the Passionate Self<\/a><\/td>\n\"More<\/a><\/td>\n20<\/td>\n<\/tr>\n
The Story Mind (Part 14) \u2013 Conclusion & Summary)<\/a><\/td>\n\"More<\/a><\/td>\n19<\/td>\n<\/tr>\n
Identifying Your Antagonist<\/a><\/td>\n\"More<\/a><\/td>\n19<\/td>\n<\/tr>\n
Dramatica Unplugged Part 1 \u2013 Introducing the Story Mind<\/a><\/td>\n\"More<\/a><\/td>\n19<\/td>\n<\/tr>\n
Coming Apart At The Themes<\/a><\/td>\n\"More<\/a><\/td>\n19<\/td>\n<\/tr>\n
Creating Four Dimensional Character (video)<\/a><\/td>\n\"More<\/a><\/td>\n18<\/td>\n<\/tr>\n
The Story Mind (Part 6) \u2013 Audience Reach<\/a><\/td>\n\"More<\/a><\/td>\n18<\/td>\n<\/tr>\n
Origins of Story Structure<\/a><\/td>\n\"More<\/a><\/td>\n18<\/td>\n<\/tr>\n
The Story Mind (Part 12) \u2013 Bad Story Structure is No Joke<\/a><\/td>\n\"More<\/a><\/td>\n18<\/td>\n<\/tr>\n
Creating Characters from Scratch<\/a><\/td>\n\"More<\/a><\/td>\n17<\/td>\n<\/tr>\n
Blowing the Story Bubble<\/a><\/td>\n\"More<\/a><\/td>\n17<\/td>\n<\/tr>\n
The Story Mind (Part 1) \u2013 Introducing the Story Mind<\/a><\/td>\n\"More<\/a><\/td>\n17<\/td>\n<\/tr>\n
Dramatica: How We Did It!<\/a><\/td>\n\"More<\/a><\/td>\n17<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 9) \u2013 The Story Mind Revisited<\/a><\/td>\n\"More<\/a><\/td>\n16<\/td>\n<\/tr>\n
The Story Mind (Part 2) \u2013 A Tale is a Statement<\/a><\/td>\n\"More<\/a><\/td>\n16<\/td>\n<\/tr>\n
Write Your Novel Step by Step (Video Version) \u2013 Step 1<\/a><\/td>\n\"More<\/a><\/td>\n16<\/td>\n<\/tr>\n
The \u201cInfluence Character\u201d in a Nut Shell<\/a><\/td>\n\"More<\/a><\/td>\n16<\/td>\n<\/tr>\n
What\u2019s in Your Story\u2019s Mind?<\/a><\/td>\n\"More<\/a><\/td>\n15<\/td>\n<\/tr>\n
Characters \u2013 The Attributes of Age<\/a><\/td>\n\"More<\/a><\/td>\n15<\/td>\n<\/tr>\n
Storytelling Tip: Trapped in a Routine<\/a><\/td>\n\"More<\/a><\/td>\n15<\/td>\n<\/tr>\n
Throughlines \u2013 and How To Use Them!<\/a><\/td>\n\"More<\/a><\/td>\n14<\/td>\n<\/tr>\n
How \u201cStoryWeaver\u201d Came to Be<\/a><\/td>\n\"More<\/a><\/td>\n14<\/td>\n<\/tr>\n
The Story Mind (Part 7) \u2013 Story Structure vs. Storytelling<\/a><\/td>\n\"More<\/a><\/td>\n14<\/td>\n<\/tr>\n
Our books on writing now in both Kindle and PDF formats!<\/a><\/td>\n\"More<\/a><\/td>\n13<\/td>\n<\/tr>\n
How to Beat Writer\u2019s Block<\/a><\/td>\n\"More<\/a><\/td>\n13<\/td>\n<\/tr>\n
Protagonist and Antagonist<\/a><\/td>\n\"More<\/a><\/td>\n13<\/td>\n<\/tr>\n
Narrative Structure, Game Theory and Crowd Control<\/a><\/td>\n\"More<\/a><\/td>\n13<\/td>\n<\/tr>\n
A Few Words About Theme<\/a><\/td>\n\"More<\/a><\/td>\n13<\/td>\n<\/tr>\n
Write Your Novel Step By Step (Step 7)<\/a><\/td>\n\"More<\/a><\/td>\n12<\/td>\n<\/tr>\n
Filling Story Holes<\/a><\/td>\n\"More<\/a><\/td>\n12<\/td>\n<\/tr>\n
Your Story As A Person<\/a><\/td>\n\"More<\/a><\/td>\n12<\/td>\n<\/tr>\n
Graphic Novel Themes & Dramatica<\/a><\/td>\n\"More<\/a><\/td>\n12<\/td>\n<\/tr>\n
Storytelling Trick 2 \u2013 Red Herrings (Changing Importance)<\/a><\/td>\n\"More<\/a><\/td>\n11<\/td>\n<\/tr>\n
50 Sure-Fire Storytelling Tricks! (Trick 3)<\/a><\/td>\n\"More<\/a><\/td>\n11<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 3) \u2013 A Story is an Argument<\/a><\/td>\n\"More<\/a><\/td>\n11<\/td>\n<\/tr>\n
Famous novels\u2019 first sentences, mapped!<\/a><\/td>\n\"More<\/a><\/td>\n11<\/td>\n<\/tr>\n
The Story Mind (Part 10) \u2013 The Four Throughlines Part One<\/a><\/td>\n\"More<\/a><\/td>\n11<\/td>\n<\/tr>\n
The Story Mind (Part 3) \u2013 A Story is an Argument<\/a><\/td>\n\"More<\/a><\/td>\n11<\/td>\n<\/tr>\n
Dramatica Trivia 2<\/a><\/td>\n\"More<\/a><\/td>\n11<\/td>\n<\/tr>\n
Write Your Novel Step by Step (22) \u2013 Your Characters\u2019 Points of View<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
The Hero Breaks Down<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Your story has a mind of its own<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Dramatica: The \u201cLost\u201d Theory Book<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Characters \u2013 Introduction to \u201cBlind Spot\u201d<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
New Book on Archetypes and the Mind<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Story Consequences<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Dramatica Needs Your Help!<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Selecting Your Novel\u2019s Cast<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Inside the Story Mind<\/a><\/td>\n\"More<\/a><\/td>\n10<\/td>\n<\/tr>\n
Love Interests and the Dramatic Triangle<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
Welcome to the Storymind.com Writer\u2019s Blog<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
The Story Mind (Part 5) \u2013 The Grand Argument Story<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
Finding Inspiration<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
Write Your Screenplay Step By Step \u2013 Now in paperback<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
Archetypes vs. Stereotypes<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
Why a \u201cStory Mind?\u201d<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
What are Characters, Plot, Theme and Genre?<\/a><\/td>\n\"More<\/a><\/td>\n9<\/td>\n<\/tr>\n
Fire Your Protagonist<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Does your plot end in Success or Failure?<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Your Unique Genre<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Introducing the Story Mind (video) 1 of 113 parts<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 7) \u2013 Story Structure vs. Storytelling<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
The 8 Character Archetypes (part 1)<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Dramatica: Inside the Clockwork<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
The Authorless Narrative \u2013 now on Kindle<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Screenwriting 101<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Plot Requirements<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Protagonist Personal<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Avoiding the Genre Trap<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Writing from a Character\u2019s Point of View<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Finding Your Creative Time<\/a><\/td>\n\"More<\/a><\/td>\n8<\/td>\n<\/tr>\n
Write Your Screenplay Step By Step \u2013 Now for Kindle<\/a><\/td>\n\"More<\/a><\/td>\n7<\/td>\n<\/tr>\n
Your Story as a Person<\/a><\/td>\n\"More<\/a><\/td>\n7<\/td>\n<\/tr>\n
How to Beat Writer\u2019s Block!<\/a><\/td>\n\"More<\/a><\/td>\n7<\/td>\n<\/tr>\n
The 8 Character Archetypes (part 2)<\/a><\/td>\n\"More<\/a><\/td>\n7<\/td>\n<\/tr>\n
The Story Mind (Part 11) \u2013 The Four Throughlines Part Two<\/a><\/td>\n\"More<\/a><\/td>\n7<\/td>\n<\/tr>\n
Dramatica Theory Overview (video)<\/a><\/td>\n\"More<\/a><\/td>\n7<\/td>\n<\/tr>\n
Characters\u2019 Personal Goals<\/a><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
A Screenwriter\u2019s Bag of Tricks<\/a><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
Blog<\/a><\/span><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
The Structure of Protagonist and Antagonist (video)<\/a><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
Your Protagonist is not your Main Character<\/a><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
Throughlline 3 is Here!!!<\/a><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
Half-life of the Narrative Difference Engine<\/a><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
\u201cSweet Spots\u201d in Time<\/a><\/td>\n\"More<\/a><\/td>\n6<\/td>\n<\/tr>\n
The 8 Character Archetypes (part 3)<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
Pirate Lingo Translator<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 2) \u2013 A Tale is a Statement<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
Write Your Novel Step by Step \u2013 New Home Page<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
The Story Mind (Part 9) \u2013 The Story Mind Revisited<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
A Novelist\u2019s Bag of Tricks<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
Write Your Novel Step By Step (12)<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
Blowing the Story Bubble<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 6) \u2013 Audience Reach<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
Storymind Writing Tips Newsletter #124<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
The Story Mind (Part 8) \u2013 Writing Remakes<\/a><\/td>\n\"More<\/a><\/td>\n5<\/td>\n<\/tr>\n
A Screenwriter\u2019s Bag of Tricks!<\/a><\/td>\n\"More<\/a><\/td>\n4<\/td>\n<\/tr>\n
Creating Characters from Scratch<\/a><\/td>\n\"More<\/a><\/td>\n4<\/td>\n<\/tr>\n
Write Your Novel Step By Step (Step 11)<\/a><\/td>\n\"More<\/a><\/td>\n4<\/td>\n<\/tr>\n
Objective and Subjective Characters (video)<\/a><\/td>\n\"More<\/a><\/td>\n4<\/td>\n<\/tr>\n
Characters vs. Players<\/a><\/td>\n\"More<\/a><\/td>\n4<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 8) \u2013 Writing Remakes & Adaptations<\/a><\/td>\n\"More<\/a><\/td>\n4<\/td>\n<\/tr>\n
Dramatica Unplugged (Part 5) \u2013 Dramatica & Short Stories<\/a><\/td>\n\"More<\/a><\/td>\n3<\/td>\n<\/tr>\n
Overcoming Habits<\/a><\/td>\n\"More<\/a><\/td>\n3<\/td>\n<\/tr>\n
Learn how to do \u201cCharacter Handoffs\u201d (video)<\/a><\/td>\n\"More<\/a><\/td>\n3<\/td>\n<\/tr>\n
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<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Here’s an updated list of our most popular articles on creative writing, story development, story structure and narrative science: Title Views Home page \/ Archives 2,146 The False Narrative 957 Welcome to the Storymind Writer\u2019s Library 933 Write Your Novel Step by Step (Step 1) 874 Write Your Novel Step by Step (Step 4) 500 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[2],"tags":[],"class_list":["post-663","post","type-post","status-publish","format-standard","hentry","category-announcements"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p36xpN-aH","jetpack_likes_enabled":false,"_links":{"self":[{"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/posts\/663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/comments?post=663"}],"version-history":[{"count":2,"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/posts\/663\/revisions"}],"predecessor-version":[{"id":665,"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/posts\/663\/revisions\/665"}],"wp:attachment":[{"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/media?parent=663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/categories?post=663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/storymind.com\/blog\/wp-json\/wp\/v2\/tags?post=663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}