Dramatica Weekend Workshop Syllabus

1 Introduction and Overview

Story Structure v. Storytelling

* Video Clip: Cyrano De Bergerac/Roxanne comparison

The Elements of Structure

The Four Aspects of Structure

• Character: as elements of structure, characters represent the different attitudes and approaches that might be applied to resolve a story’s problem.

• Theme: the perspectives compared in a story to create its message.

• Plot: the sequence behind any progressive aspect of story.

• Genre: the broadest way of classifying a story according to its overall feel.

 

The Art of Storytelling

The Four Stages of Communication

• Storyforming: a story’s underlying skeleton of structure and dynamics.

• Storyencoding: the specific symbols chosen to represent a story’s argument.

• Storyweaving: the order and emphasis used in presenting a story to an audience.

• Reception: how the audience interprets a finished story.

 

Dramatica Foundations

 

There are a few fundamental concepts that should be introduced first. These are:

 

1. The Story Mind: A story is an analogy to a single human mind trying to resolve an inequity. Characters enact the motivations of the story mind. Plot documents the problem-solving methods employed by the story mind. Theme examines by what standards values are determined in the story mind. Finally, genre establishes the story mind’s overall attitude that influences the characters, plot, and theme.

2. The Grand Argument Story: A grand argument story must consider all points of view of a problem and provide the most appropriate solution to solve it. Dramatica explores four perspectives to present all sides of the issues. They are the Objective Story throughline, Subjective Story throughline, Main Character throughline, and Obstacle Character throughline.

3. Objective Story Throughline: The objective story throughline represents the dispassionate argument of the story, emphasizing events and relationships in a cause and effect way. Characters in the objective story are either archetypal or complex.

4. Main Character Throughline: The main character is the conduit through whom the audience experiences the story subjectively.

5. Obstacle Character Throughline: To completely explore the issue at the heart of a story, an obstacle character must present an alternative approach to that pursued by the main character. The obstacle character throughline is the advocate of this alternative path and the manner in which its impact on the main character develops.

6. Subjective Story Throughline: The subjective story throughline is the passionate argument of a story carried out by the two subjective characters--the main and obstacle characters. The examination of their internal states and the articulation of the story’s passionate argument makes up the subjective story throughline.

Back to the Dramatica Weekend Workshop
Table of Contents

Index of Dramatica Theory Materials

Storymind.com is pleased to present this collection of materials about the Dramatica Theory of Story. We hope you find it both useful and through-provoking.

This information is divided into three sections:

The Dramatica Theory
A complete exploration of the theory in every detail

Historic Documents
The development of Dramatica from the beginning

Speculations
Dramatica applied to psychology, physics, religion and more

The Dramatica Theory

Dramatica Theory Book Online
Free online edition of the 400+ page book, Dramatica: A New theory of Story, in which Melanie Anne Phillips & Chris Huntley originally documented their work.

Dramatica Dictionary
Official definitions of all terms in the Dramatica theory and software.

Dramatica Writing Tips
Useful and informative articles on how to approach and employ both the Dramatica Theory and Software.

Constructive Criticisms
Practical illustrations of how applying the Dramatica theory could have made some well-known successful story's even better!

Dramatica Q & A
Answers to questions from users of the Dramatica Theory and Software.

Instant Dramatica
Even more directly practical essays on using Dramatica for real-world writing situations and problems provided by noted screenwriter Armando Saldaņa Mora.

Historic Documents

Dramatica - The Lost Theory Book
Early attempts to document the theory, including many unfinished conjectures and false starts.

Dramatica Development Archives
Early documents created during the development of the foundations of Dramatica.  Often later discarded, they show the roots of the thinking that ultimately evolved into the theory as it stands today.

Speculations

Deep Theory
Transcript of a class on the outer fringes of Dramatica Theory I taught as part of a now-defunct Dramatica Certification course.

Dramatica Math
A mathematician takes a stab at describing the Dramatica model in terms of dimensional distortions.

Mental Relativity
An exploration of the theory of psychology modeling which grew out of the development of Dramatica.

Dramatica I Ching
Several of our users have noticed a similarity between the character grid in Dramatica and the elements of the traditional I Ching.  Though unintentional, perhaps all models that look deeply into the mind will resemble each other.

Our Most Popular Products

StoryWeaver Story Development Software

By far, our most popular product, outselling all of our other products combined!  StoryWeaver takes you step by step through the entire process--from initial inspiration to completed novel or screenplay.  At just $29.95, StoryWeaver is affordable for any writer.  (Details)


Movie Magic Screenwriter

is one of two industry standard word processing screenplay formatters, the other being Final Draft.  Each of these programs offers a complete suite of screenwriting tools to make your next script a breeze to write.  (Details


Dramatica Pro

Unlike any other story development product, Dramatica Pro uses a patented Story Engine to interactively help you build a structure, find and fix dramatica holes and inconsistencies.  (Details)


20 Hour Writing Course on CD ROM

This intense program features 20 hours of video documenting the entire college-level course in creative writing given by Melanie Anne Phillips, creator of StoryWeaver and co-creator of Dramatica.  Just $19.95  (Details)

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