Admit it, Mr. Crichton...

Hi. I'll give myself a short introduction and then I'd like to discuss a question that surely troubles all Dramatica users:

I'm Armando Saldaña. I live in Mexico city and -as supposed- Spanish is my first language, so forgive my horrifying use of English. I've been writing constantly for about 12 years, I've been selling fiction for the last five years, and I've been working on the Mexican television for the last year (yes, even script editor for the program of the guy on the cockroach suit). I've met Dramatica six months ago and became an instant addict, I even argue with my wife in terms of "You're not reducing my morality focus on your universe domain, you... Contagonist!"

Now for the question: I'm sure that the first question you had about Dramatica (specially after finding out the price) was "Does this stuff really works?" So you try to find out of a well known writer or story that was made using Dramatica and, guess what? you won't find none! And mostly because no one wants to tell. That's right. In the business you're as valuable as your "talent" (meant: your capacity to produce magic stories that everyone loves out of nowhere), and if a producer finds out you're using a creative software, he'll think "Well, the software wrote it, not that megalomaniac screenwriting bum! Cancel his check!" So you make a leap of fate and buy the program, you study it hard, struggles through it and write a complete story... Now here's the catch! I bet that most of you thought when the story was finished "Is this it? Gee, I could have written this myself in half the time with a hand tied up my back!" I made and experiment and went through my past teleplays. Through my new Dramatica look they seemed horrible to me! They were no structure, nothing happened, no one changed or had any challenge, every event seemed tacked on... So the next question arose: have the theory changed me or is it the software apreciations showing it's magic in my present work? let me rephrase: Can I now write Dramatica stories without using the software?

Have any of this happened to you?

What can you say about the "Does this stuff really works" predicament?

  


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About Dramatica and StoryWeaver

What They Do

Dramatica is a tool to help you build a perfect story structure.  StoryWeaver is a tool to help you build your story's world.

Dramatica focuses on the underlying logic of your story, making sure there are no holes or inconsistencies. 

StoryWeaver focuses on the creative process, boosting your inspiration and guiding it to add depth, detail and passion  to your story.

How They Do It

Dramatica has the world's only patented interactive Story Engine™ which cross-references your answers to questions about your dramatic intent, then finds any weaknesses in your structure and even suggests the best ways to strengthen them.

StoryWeaver uses a revolutionary new creative format as you follow more than 200 Story Cards™ step by step through the story development process.  You'll design the people who'll inhabit your story's world, what happens to them, and what it all means.

How They Work Alone

By itself Dramatica appeals to structural writers who like to work out all the details of their stories logically before they write a word.

By itself, StoryWeaver appeals to intuitive writers who like to follow their Muse and develop their stories as they go.

How They Work Together

But, the finished work of a structural writer can often lack passion, which is where StoryWeaver can help.  And the finished work of an intuitive writer can often lack direction, which is where Dramatica can help.

So, while each kind of writer will find one program or the other the most initially appealing, both kinds of writers can benefit from both programs.

Try Either Program Risk Free!

We have a 90 Day Return Policy here at Storymind.  Try either or both of these products and if you aren't completely satisfied we'll cheerfully refund your purchase price.

 

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Copyright Melanie Anne Phillips - Owner, Storymind.com, Creator Storyweaver, Co-creator Dramatica