Category Archives: Dramatica

Choosing Your Main Character’s Resolve

The Main Character represents the audience’s position in the story. Therefore, whether he or she changes or not has a huge impact on the audience’s story experience and the message you are sending to it. Some Main Characters grow to … Continue reading

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Finding Your Story’s Core

By Melanie Anne Phillips Every story has a core – that concept at the center that pulls all of the story elements into a cohesive whole, establishes meaning and message, and provides the story with an overall identity. There are … Continue reading

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The Story Mind (Part 6) – Audience Reach

Excerpted from the Book “Dramatica Unplugged“ By Melanie Anne Phillips, Co-creator of Dramatica Who is your audience? And for that matter, does a single story structure affect all audience members equally? Let’s find out…. In Dramatica, there are some story points that … Continue reading

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The Story Mind (Part 5) – The Grand Argument Story

Excerpted from the Book “Dramatica Unplugged“ By Melanie Anne Phillips, Co-creator of Dramatica Over the years a number of my students have asked how the Dramatica chart can possibly describe the fullness of the human experience, especially since we, as a species, … Continue reading

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Introducing the Story Mind

Watch the entire 113 part  series free on our web site… Transcript of the soundtrack from this video: Dramatica Unplugged Class One: Introduction 1.1 Introducing the Story Mind Let’s look at the central concept in Dramatica: the Story Mind. It’s … Continue reading

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What Is Dramatica?

What is Dramatica? Dramatica is a theory of story that offers both writers and critics a clear view of what story structure is and how it works. Dramatica is also the inspiration behind the line of story development software products … Continue reading

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“Ability” and Story Structure

What’s “Ability” have to do with story structure? In this article I’m going to talk about how the Dramatica Theory of Narrative Structure uses the term “ability” and how it applies not only to story structure and characters but to … Continue reading

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Dramatica Do-er vs. Be-er

A Dramatica student asks: In Dramatica theory, are all Objective Characters be-ers and all Subjective Characters do-ers? My reply: No, there is no assignment of be-er or do-er to objective characters at all. Objective Characters, such as the archetypes, are … Continue reading

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Can There Be More Than One Protagonist In A Story?

A writer recently asked: I write Western genre screenplays. And I love to use Dramatica Pro. In Western Genre sometime I will run into more than one  protagonist more than one antagonist . I name my antagonist in Dramatica Pro … Continue reading

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Four Facets of the Story Mind

One of the unique concepts that sets the Dramatica Theory of Narrative Structure apart from all other story paradigms is the assertion that every complete story is a model of the mind’s problem solving process. This Story Mind does not … Continue reading

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