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Category Archives: Characters
Main characters don’t have to change to grow. They can grow in their resolve. It is a common misconception among authors that the main character in a story must change in order to grow. Certainly, that is one kind of … Continue reading
In my previous article, A Brief Introduction to Archetypes – Part 1, I defined what an archetype is, and what it is not. Here in Part 2, we’re going to expand on that understanding by revealing where archetypes come from … Continue reading
Writers and narrative theorists often speak of Archetypes. When they do, Jung and Campbell and the Hero’s Journey quickly come to mind. And yet, if pressed, most writers would admit they don’t really have a solid grip on what an … Continue reading
Here are a few of my best tricks for creating characters from scratch and for developing characters you’ve already created. Though coming up with characters can be as simple as looking to our subject matter and asking ourselves who might … Continue reading
This article was originally written as part of an early draft of our book on the Dramatica theory of narrative which but was never included. It seeks to describe how characters come to misunderstand each other, and how this can lead to conflict. … Continue reading
Characters reflect real people in a purified or idealized state. And so, we can see in them qualities and traits that are hard to see within ourselves. One of the most difficult challenges we face every day are exemplified by … Continue reading
As writers, we all know that characters need drive or their actions will come across as unmotivated. But what is drive, and where does it come from? At a minimum, every character needs a reason to explain the choices they … Continue reading
Archetypes represent human qualities we all share, such as Reason, Emotion, Faith, Skepticism, Conscience, and Temptation. Stereotypes represent the different kinds of personalities we encounter in life. In story structure, archetypes, by definition, are characters defined by their plot function, … Continue reading
There are four throughlines that must be explored in every story for it to feel to readers or audience that the underlying issues have been fully explored and the message fully supported. Throughline 1: The Objective Story The Objective Story is … Continue reading