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Category Archives: Characters
By Melanie Anne Phillips Over the course of the story, your reader/audience has come to know your characters and to feel for them. The story doesn’t end when your characters and their relationships reach a climax. Rather, the reader/audience will … Continue reading
By Melanie Anne Phillips When your reader/audience first meets your characters in a story, it has the same effects as when you are introduced to someone in real life. First impressions have a tremendous impact that you can use either … Continue reading
If you are writing with only Heroes and Villains, you are limiting yourself. A Hero is a Main Character who is also a Protagonist. A Villain is an Obstacle Character who is also an Antagonist. What’s the difference between a … Continue reading
Excerpted from Dramatica Story Structuring Software: The Main Character represents the audience’s position in the story. Therefore, whether he changes or not has a huge impact on the audience’s story experience and the message you are sending to it. Some … Continue reading
By Melanie Anne Phillips For just about any story you read, you get a sense of who it revolves around – who is it really about? Who is the character whose shoes we stand in, through whose eyes and heart … Continue reading
By Melanie Anne Phillips Although it is possible to write without the use of characters, it is not easy. Characters represent our drives, our essential human qualities. So a story without characters would be a story that did not describe … Continue reading
By Melanie Anne Phillips In this article, we’ll first take a quick look at the origins of the concept of fictional characters, then outline some practical techniques for creating compelling characters from thin air. Where Do Characters Come … Continue reading
By Melanie Anne Phillips Can things be characters? A writer asks: “My favorite creative writing book is ‘Setting’ by Jack Bickham. Use of setting as primary with characters, plot, theme, mood, etc derived from it and interacting with it seems … Continue reading
By Melanie Anne Phillips Perhaps the most fundamental error made by authors, whether novice or experienced, is that all their characters, male and female, tend to reflect the gender of the author. This is hardly surprising, since recent research clearly … Continue reading