Write Your Novel
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Follow StoryWeaver's path of 200 interactive Story Cards from concept to completion of your novel or screenplay.
Every step of the way you'll know what you need to do and get examples of how to do it, continually evovling, expanding and improving your story.
You'll develop your story's world, who's in it, what happens to them, and what it all means.
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Today’s Most Popular Articles
- The First Step In Writing ANY Novel
- Character Development Tricks!
- The False Narrative
- A Brief Introduction to Archetypes - Part 1
- Get Out Of My Head!
- Writing Prompt Level: Expert!
- A Brief Introduction to Archetypes - Part 2
- Spin a Tale, Weave a Story
- How do you create a main character who is an antagonist?
- Only One Main Character in a Story
- Creative Writing
- Narrative in the Real World
- Narrative Psychology
- Narrative Science
- Story Development
- Story Development Tips
- Story Points
- Story Structure
- Storytelling Tips
- StoryWeaver Software
- The Master Storyteller Method
- The Story Mind
- The Story Mind
- Write Your Novel Step by Step
- Writer's Block
- Writing Prompts
- Writing Software
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Category Archives: Plot
Some time ago I write an article that described the difference between the two basic forms of story structure with the following phrase: You spin a tale, but you weave a story. The common expression “spinning a yarn” conjures up … Continue reading
From our StoryWeaver Software: Plot Points There is a multitude of plot points, but among these, four are the most visible: 1. Goal 2. Personal Goals 3. Requirements 4. Consequences THE GOAL The Goal is what the Protagonist is trying … Continue reading
There are many story points relating to your plot, ranging from the the outcome of the quest to the obstacles the characters face along the way. While all story points are important, there are four essential ones that provide the cornerstones … Continue reading
There are two types of subplots: Those that run parallel and don’t really affect each other dramatically, and those that are dramatically hinged together. An example of parallel subplots can be found in Woody Allen’s “Crimes and Misdemeanors” in which … Continue reading
By Melanie Anne Phillips Some writers become so wrapped up in interesting events and bits of action that they forget to have a central unifying goal that gives purpose to all the other events that take place. This creates a … Continue reading
By Melanie Anne Phillips A common misconception is that Plot is the order of events in a story. In fact, the order in which events are unfolded for the reader or audience can be quite different from the order in … Continue reading
By Melanie Anne Phillips A goal is what the characters chase, but what chases the characters? Answer: the Consequences. Consequences double the dramatic tension in a story by providing a negative result if the goal is not achieved. Consequences may be … Continue reading
By Melanie Anne Phillips Here’s some text I wrote about the difference between an action-driven story and a decision-driven story, excerpted from Dramatica Story Development Software. ***** Some stories are driven by actions. Others are forced along by decisions. All … Continue reading
By Melanie Anne Phillips The achievement of (or failure to achieve) the goal is an important but short moment at the end of a story. So how is interest maintained over the course of the story? By the progress of the … Continue reading