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You'll develop your story's world, who's in it, what happens to them, and what it all means.
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Category Archives: Story Development Tips
Characters have two jobs. One, they must respond as real people so we can identify with them. Two, they must function as part of your plot to they contribute to the message. Characters who don’t ring true drop your readers … Continue reading
What’s in a name? Choosing names for your characters can be perfunctory or can provide your readers or audience with insight into your characters’ natures, add humor or surprise, or even at the very least break out of ordinary monikers … Continue reading
Perhaps the greatest hurdle in writing is the attempt to bring structure to a story without putting your Muse in a straight jacket. Often structure is brought into the picture too soon, clamping your passion into an iron maiden that … Continue reading
At the core of a story’s message is a very simple issue – whether the author is telling us it is better to be like the main character or not. This is usually thought of as the moral of the story and … Continue reading
When beginning a new novel, writers are often faced with one of two initial problems that hinders them right from the get go. One – sometimes you have a story concept but can’t think of what to do with it. … Continue reading
Although it is important to work on the particulars of your story you can lose track of the big picture in doing so exclusively. Step back from time to time to take in your story as a whole. See it … Continue reading
By Melanie Anne Phillips This tip is excerpted from my book, Write Your Novel Step By Step. Click the link to read it free on my web site. In this step, we’ll explore how to clear your mental decks to make room … Continue reading
A character might change and resolve their personal angst, yet fail in their quest as a result. Was it worth it? Depends on the degree of angst and the size of the failure. Another character might not resolve their angst; … Continue reading
Interest in your story can be amped up by creating a difference between what an audience is led to expect and what actually happens. A prime example occurs in the Laurel and Hardy film, The Music Box. Stan and Ollie are piano … Continue reading
Read my new eBook, 50 Sure-Fire Storytelling Tricks!, for free at http://storymind.com/articles/page11.htm About the book – It’s not just what you say but how you say it. These fifty powerful and immediately useful “sure-fire” tips, tricks and techniques will super charge … Continue reading